Le Capitaine H

A spoof on the movie “Clueless” – follows high-school queen Crystal through the worst day of her young, pampered life. It seems that everything in her life derived from oil has disappeared: her makeup, Daddy’s credit card, gasoline for her beloved BMW and aspirin for her growing stress headache — all gone. But with a little guidance from Miss Watkins, her “extremely cool science teacher,” Crystal gets a better understanding of where oil comes from, how it is processed and how the products made from oil impact our everyday lives.

The story will mostly take place in the town Oil Springs, Ontario, where the oil industry in North America was born. By making a case study of this town, we can better understand how the industry operates today. The documentary will explore themes of colonialism, climate change and Canadian identity.

Experts say over the next hundred years the "perfect storm" of population growth, resource depletion and climate change could converge with catastrophic results. The scenarios in Earth 2100 are not a prediction of what will happen but rather a warning about what might happen.

Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.

Training and Customer Service information film sponsored by the Marketing Retail Sales Department of the Standard Oil Company. Features product placement for brands like Atlas and Chevron.

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

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Through the testimony of Manuel Taborda, a pioneer of labor organizing in Venezuela’s oil fields, this documentary revisits the experiences of oil workers between 1920 and 1936. Their memories reveal a world marked by corporal punishment, exploitation, racial segregation, and disease, alongside the emergence of collective resistance against the American and British oil companies that controlled the industry and the government that enabled them.

From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.

Three single friends travel to Paris for ten days for the journey of a lifetime and in search of true love. From 'meet cutes' at the Luxembourg Gardens, to strolls down the tree-lined Champs-Élysées, will first dates lead to happily ever after or heartbreak?

Documentary about power and class relations in the sociocultural context of Bahia, considering the history of oil extraction in the state.

Through the eyes of ex-engineer, now filmmaker Gillian McKercher, Orphaned explores the huge task of cleaning up thousands of idle oil and gas wells in the prairies before it's too late.

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Moving between a local microcosm and the global oil crisis, H2Oil weaves together a collection of compelling stories of people who are at the front lines of the biggest industrial project in human history: Canada's tar sands. H2Oil is a feature-length documentary that traces the wavering balance between the urgent need to protect and preserve fresh water resources and the mad clamoring to fill the global demand for oil. It is a film that asks: what is more important, water or oil? Will the quest for profit overshadow efforts to protect public health and the environment in Canada's richest province?

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

In an oil-scarce world, we know there are sacrifices to be made in the pursuit of energy. What no one expected was that a tiny Native community, living down the river from Canada's tar sands, would reach out to the world for help — and be heard.

Wiebo Ludwig is the leader of a Christian group who brought his family to live in Alberta, Canada, 25 years ago in order live a life according to scripture. They built a small, self-sufficient community in a place that they did not realize was one of the largest undeveloped natural gas fields in North America. Unlike others who lived in the area, Wiebo and his family refused to sell their land and move, and now Wiebo is the prime suspect in a series of pipeline bombings and other acts of sabotage against the local oil industry.

Ruben has been living in the tourist centre of Paris for several years. He's never managed to make a niche for himself. Instead, he has been living in his little hideaway. August, Ruben is suffocating, and is forced to resurface.

An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.