Dance of the Flamingo

Two cross-town rival dance teams go head to head for the National Nationals Championship.

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

After eight years apart, three childhood friends - Lucy, Kit, and Mimi - rediscover their friendship on a cross-country trip. With barely a plan, practically no money but plenty of dreams, the girls catch a lift with Mimi's handsome friend Ben in his convertible. Along the way they not only gather experiences that will change their lives, but they also discover how important it is to hold onto their hearts' desires.

Guy, a once-promising dancer now entering the uncertain stretch of middle age, is thrown off course when he dislocates his shoulder in the middle of a live performance, an injury that leaves him suspended between recovery and the painful possibility that his career may never return to what it was. Unsure of his place in the world of dance and increasingly reliant on painkillers and self-doubt, he accepts a weekend teaching job upstate, hoping the small detour will provide clarity.

Every Saturday a bunch of youths use to meet at a disco in Milano. Among them soon love and passion explode between a dance contest and another.

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

An almost dialogueless, poetic impression of an insecure teenager’s dilemma. Alexander spends his first holiday alone in an old beach cabin. Longing for affection, but searching for his identity, he stays inside. From the cabin, he watches the people on the beach. On a diving board, in the middle of the sand, he spots someone who is making some dance moves. Hesitant at first, but increasingly uninhibited, Alexander mimics him, which yields a cautious dance duet at a safe distance. Will he dare to make the next move?

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Central explores the limitations of sanity as different facets of her persona usher her through psychosis.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

A choreographer from New York upsets the balance of ballet-duo lovers (Johan Renvall, Ellen Troy) in competition.

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

A man looks into a mirror and sees a reflection version of himself dancing, carefree, and rebellious -- only for the reflection to be shattered by a mystery man with a box over his head.

A fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.

On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.