Tío Vania

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

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The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

Kristian Smeds's sensational debut at the National Theater. Smeds's adaptation of Väinö Linna's The Unknown Soldier had a powerful impact even on those who had not seen the play. In the National Theater's interpretation, modernity and intensity are strongly present throughout the play. The cast includes Antti Luusuaniemi, Kristo Salminen, and Jaakko Kytömaa.

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David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.

A shrewd ex-prisoner runs a successful antique shop -- until his assistant discovers the collectibles are stolen goods and begins blackmailing him.

One of Shakespeare's greatest plays, The Winter's Tale, though written at the same period as The Tempest, smashes all the rules that The Tempest follows. Unity of time, place and action are hurled aside as we range across Europe, from court to country, from high tragedy to low comedy, across a time span of sixteen years. The Winter's Tale tells of a delusional and paranoid king who tears his family apart. But this is the new Shakespeare, after he completed his great tragedies, and the tough struggle for redemption yields flickers of hope. Initial darkness gives way to joy as Time leads the characters to a shattering conclusion...

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.

Based on the short story by Anton Chekhov, Kama Ginkas’ astounding reimagining highlights and builds off of the Chekhovian tension between the beauty of life and the tragedy of how it is lived. The story tells the the tale of philosophy student Andrey Vasil'ich Kovrin. On the verge of a nervous breakdown, Kovrin decides to visit his childhood friend Tanya Pesotsky at the estate of her father. As he and Tanya develop a relationship and eventually marry, a black monk of legend begins appearing to Kovrin in visions. Though these hallucinations at first imbue the young man with joy and energy, they eventually lead to his ruin.

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.

"Vanity of vanities, everything is vanity" says the bible. The word flows from the tongue naming the pleasure of earthly life and judging it as beautiful, but shallow and useless; vanity is a deadly sin. A female sin. The man painted the woman, put a mirror in his hands and called it vanity. The woman in representation admires herself, but the one who really admires her body is the artist. Whose vanity? In VANITAS, we re-divide the woman in our bodies, showing the depth of what is palpable. If the Father's temple hides after death, clean and perfect, we reject them. We welcome Mother Nature in us, life-death in a perpetual sacred cycle, also honoring her dark face. You may wish to reach heaven, but it is on earth that your knees fall.