A Farewell

Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.

Liu Ziying was imprisoned three years ago for drug trafficking. He performed well in prison and had a high cultural quality. He was arranged to write a suicide note to the death penalty inmates. Before he was released from prison, Xu Xiaolong, the death penalty prisoner, wanted Liu Ziying to write a suicide note to him and told him that if he helped him fulfil his will, he would give Liu Ziying a sum of money. After Liu Ziying was released from prison, he acquired money by helping the death penalty prisoners fulfil their will. After tasting the sweetness, he embarked on a road of self-redemption.

Yang Xin dropped out of school and returned to his hometown, but felt uncomfortable with the popular culture represented by live broadcast/ Douyin culture gradually becoming the mainstream of society. I wanted to return to my familiar hometown to find a sense of identity, but found that my hometown is no longer the same as in the past. The social atmosphere of my hometown and my own memories are all different. The only similarity that can be found is the river in the hometown, but the river that has been flowing has maintained its original consistency.

A film about death and memory. A long farewell. A killer takes the life of a poor writer in the morning. Then they go through a journey consisting of a boy, a woman, watches, oranges, roses and old bicycles. At the end of that night, he realizes that the person who was once loved will never leave ......

A passenger on a bus, a man with a barrel on his head, and when they meet, the two worlds are connected...

By day Chen Shi works in a textiles factory and at night dons a red dress and takes to the dance hall. We Outlaws is the story of just one of countless Trans and non-binary people who lived their lives in secret during an era of strict governmental prohibition, their very existence a crime.

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

After witnessing the sudden death of a student in a classroom, a cowardly young teacher will face a whole classroom of students who have not yet died suddenly, as well as his own indistinguishable past, in which he exhibits his "name view" in preaching and self-doubt, and a class will pass.

This video work is a fictional online Feng Shui guideline. A Feng Shui master on-screen in connecting to a person's brain to observe the image fragments in it and, based on that, try to give advice. It turns out to become a dispute between the two. Composed with images from real places like modern residences, high-speed train stations, national enterprises in mid of change, and mining factories, the video gives a dizzying visual effect. The artist narrates the words mixed with humorous, personal, and authoritarian languages. The work concerns the complex relationship between medium, feelings and narratives, and how a personal destiny can be narrated in relation to specific spatial-physicality.

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

An Ling is a successful writer of romance novels. What is unknown is that all of her novels were written by her deceased mother but published under her name. The publisher urged her to write her seventh novel, but she had no romantic relationship before and was not good at writing. When she was involved in a production, she met an actor, Zheng Yuan, and had an affair with him. An Ling got what she wanted, but she didn’t know how to handle the conflicting feelings she had deep inside. The story was inspired by something that happened in the intoxicatingly beautiful spring of 2016. This was my last film during my undergraduate years. I always wanted it to be completely engraved with my personal imprint and represent all my style preferences. So then I began to construct the story, a proud but timid woman with secrets in her heart and a group of hilarious mundane people, what would happen to them in a mountain forest surrounded by mist and fog…

In Southern Beijing, a father and his son who relied on each other were struggling to live, and two daughters wanted to seize their father's retirement expenses for their own personal gain. And misfortunes came one after another. The 60-year-old demented son was deliberately abandoned by his brother-in-law, and the young tenant went astray for so-called love. Life was getting tougher. In the constant struggles, the 90-year-old father felt hard to bear the burden of life, and wanted to end his life with pesticides with his son. The film ends here and leaves the suspense, in which the cold-bloodedness and fetters of kinship are vividly displayed. The feeling of powerlessness goes straight to the hearts through screen. Two people’s lifetime adding up to 150 years come to an abrupt end.

This story happens in the southern part of Beijing. Lee, the motor-taxi driver's and his family live in a dilapidated tenement yard. His disobliging sister always asks him for the relocation of the tenement yard and urges her brother's family to repay the money. Kai's classmate, named Er Dong, a bad boy whose father is the lecherous principal, frames a case against Kai that he had stolen the monitor's cell phone. The teacher always looks upon on Kai, he denounces Kai without any investigation and gives a slap on Kai's face. Kai hit the teacher with a brick in great impulsion and the principal dismissed Kai. Because of this, Lee has to beg the principal for retraining the punishment on Kai, besides, Lee has to offer a bribe for his son. At last, grandpa passed away quietly, lee was arrested by the police because of the prostitute's tip-offs. Kai stands lonely on the rooftop of his dilapidated house, sees the blinding sunlight and hears the cockcrow......

LIU Yisi is a seven-year-old boy. His parents are divorced and he lives alone with his mother. One day, mother's boyfriend came to visit us. During dinner, his father called and said that he was going to work in another place. He hoped Yisi could live with him for a while, but Yisi refused. Lewis found out that his mother's boyfriend was spending the night. Lewis was upset and went to his father's house the next day. Yisi and his father gradually warm up, but was told by his mother that his father went to the other place has nothing to do with work, just because of a wealthy woman. Feeling his pride hurt, Yisi again treated his father coldly. After experiencing the cold war and running away from home, father and son slowly untangle their feelings, reconcile and say goodbye.

"Chang Jiang is a boy of passiveness. He was sent to a Rehab Center because of his addiction of Internet and fell in love there. After five months of treating, he was “healed” and went back to the real word where he found himself lost and incapable of dealing with real relations when he fell in love for a real girl. One night, he sneaked out to an Internet bar while his mother was asleep. But it has been too long that he hadn’t been online, his once online-lover has disappeared. And to his surprise, he found his mother waiting just outside when he stepped out of the Internet bar.

Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.

The day Xia Tong saw the flower burning, his father found his dream again. His little snore sounded like a baby crying.

His father was sick, and the boy Xia Tong was always surrounded by strange dreams about girls while he was taking care of him. Grandma's answer made him disagree. To find out the truth, when the flame rose from the bottom of the river, he stepped on the train from the clouds.

Liang Yan is a freelance writer living in Beijing. He went to a house church to experience the atmosphere of fellowship. A girl accidentally unmasked his behavior, and he became more and more interested in this girl. At the same time, he participated in a book launch for the poetess named Ma Yan. Ma Yan's poem reminded him of a former friend named ChunTian. The contact with ChunTian made Liang Yan immersed in the memories of the past. When he emerged from the surface of reality, he found that all these things were just a few words in the poem.

Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.