Moto Contínuo

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.

Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.

Actors from Warsaw's garden theatres dance a traditional Polish dance, cracovienne.

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In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.

Among the most acclaimed choreographers in American history, Paul Taylor has been reinventing the roles of music, movement and theme in dance for nearly 60 years. In that time he has offered only glimpses into his creative process. Creative Domain is a rare in-depth documentation of how he creates a single dance. Through the lens of award-winning cinematographer Tom Hurwitz, we see Paul’s non-verbal communication with his dancers. Below the surface of this dance and the many works that came before, is Paul’s power of acute observation, revealing a side to his choreography that is strangely prophetic. The dominant voice is Paul’s, between the guarded and unguarded moments we see him with new eyes and new understanding.

Three sisters dance the Mikado in this very early film from the Edison company.

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.

A place to be at night in São Paulo.

Sharing is a documentary that will show the process of building a video dance performed by four female artists who have a connection not only with blood, but also with dance.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

"Danse excentrique" (Gaumont #587) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse serpentine" (Gaumont #588, the only extant film in the series), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).

In this dance film, choreographer Krisztina de Châtel returns to Hungary, her country of birth, together with her dancers and memories. In Budapest, bridges, squares, streets, and courtyards bring the hectic energy of the city to life. The dancers resist the pace of the metropolis with powerful, physical movements. In search of peace, the group moves to the countryside, where they are confronted with another, equally compelling force: the earth itself. The journey culminates in stomping, earthy movements in which control, resistance, and endurance are central. Stalen Neuzen is the result of an intensive collaboration between choreographer Krisztina de Châtel, director Erik van Zuylen, and designer Conrad van de Ven. The film shows De Châtel's work in a distinctly cinematic context and forms a poignant portrait in which the will to control and physical discipline becomes visible and tangible.

Mme. Bob Walter performs the serpentine dance.

A short dance piece showcasing hip hop dancers in Portland, Oregon.

This is Ska is a Hi-Energy documentary on JAMAICAN dance music from 1964

In a time before cultural arts education was being policed, a small community of student creatives was taking their hometown by storm. Comprised of archival footage from Anya Dillard's time as a student at West Orange High School, Lock Step is a film that commemorates the diversity, talent, and cultural impact of cultural arts organizations -- particularly the Ab-Salute Step Team, Nu Theta Omega Girls Step Team, and Jubilee Choir of West Orange High School.

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In this emotional documentary, Majid Kessab embarks on a moving journey to his Kurdish homeland, where he delves deep into his family history with his father.

"Looking for men and women aged over 65" was the small ad in a local newspaper in Wuppertal, through which the choreographer Pina Bausch sought senior performers for the remake of her dance spectacle "Kontakthof". 26 amateurs aged from 65 to 72 were selected. They rehearsed for over a year and the premiere took place in the early 2000s in Wuppertal. Lilo Mangelsdorff has accompanied this exceptional project with a camera. The result is a touching film, which focuses on the dancers' stand with their fears and inhibitions, their enthusiasm and passion.