Strangers' Street

One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

On the 29th lunar New Year's Eve of the twelfth lunar month of a certain year, it was getting late in Guangzhou. A trance-looking boy drove through the urban jungle, wandering alone on the streets, waiting to meet his girlfriend a few years ago, expecting a result to happen. In an old town, a middle-aged woman brought a girl along the street to beg for food. At the gate of a certain community, they encountered a middle-aged man who was driving around after drinking and eating. The man invited them to have a barbecue at a roadside stall and made a suggestion. In a hospital, two security guards were bored at the gate. After work, I decided to go to a certain village in a city and village to win money after work. Unexpectedly, the night was getting thicker and the flow of people was surging. The Spring Festival Gala is going on grandly, and the air is full of noise and anxiety, three realities Event, tearing apart the absurd reality of the crazy city•••

Liang Yan is a freelance writer living in Beijing. He went to a house church to experience the atmosphere of fellowship. A girl accidentally unmasked his behavior, and he became more and more interested in this girl. At the same time, he participated in a book launch for the poetess named Ma Yan. Ma Yan's poem reminded him of a former friend named ChunTian. The contact with ChunTian made Liang Yan immersed in the memories of the past. When he emerged from the surface of reality, he found that all these things were just a few words in the poem.

Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.

Two friends reconnect at their childhood haunts in the heartlands. As the night lengthens, their conversations draw out their sense of entrapment within the city, and how far removed their present selves have become from fleeting childhood aspirations.

A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.

What does marriage, love, intimacy mean? What should they be? Stella met his long lost lover by chance. He lived in a marriage maintained by lies and interests. Stella began to try to explore the possibility of a promising relationship with him. She questioned marriage and most hopeless relationships, but she was frustrated again and again in the process. Cast

Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.

Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.

Tian Yuan and Da Bing were brothers who had been in contact for many years. They gradually alienated but at the same time fell in love with a girl who dances like a nightclub. In the entanglement of love and brotherhood, youth ends in a group fight for their love. . Love and hatred, like smoke, silk, and thread, became the past...

A day of Xiaoyang, the curator of a village church. Xiaoyang and her husband have just registered their marriage, but they cannot hold a wedding in the church for her husband is not a Christian. Before the wedding, she is waiting for her husband’s baptism.

A boy with horns gathers a group of Cosers, each armed with the same traditional woodworking tools, from the grocery store, the old cathedral, the gatehouse, the forest, the farmyard, the electric mahjong parlour, the old castle and so on. At midnight, with clumsy labor, they made a huge cross.

This film describes a wandering young man who experiences the alternation of reality and dream mirror after regretting the loss of his beloved. Finally, he successfully understands the root of pain, accepts the reality and obtains salvation.

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.

The day Xia Tong saw the flower burning, his father found his dream again. His little snore sounded like a baby crying.

His father was sick, and the boy Xia Tong was always surrounded by strange dreams about girls while he was taking care of him. Grandma's answer made him disagree. To find out the truth, when the flame rose from the bottom of the river, he stepped on the train from the clouds.

The work reflects on the relationship between technology and us by constructing an advanced technological product from the future. This future product will replace people's worship and spiritual sustentation of the power of gods and Buddhas in religion with technology, turning the invisible into visible. This paper probes into the possibility and influence of the deification of technology in the future, and puts forward the solution of "love, nostalgia and nature" to relieve the pain caused by the excessive intervention of technology.

The core of the work is to explore and experiment the viewing mechanism of the image. Try to recreate the third space with the characteristic of "halo" through images. The halo points to ambiguity and a sense of distance, while the third space is the difference space constructed by reality and consciousness. The work uses fragments of daily life and poetic non-linear narrative as two narrative means, interspersing and advancing the narrative, which corresponds to the two viewing states of the audience, namely reverie and trance, and hopes to connect the audience with the image in the form of flowing water.