Meridian Lines

Power struggles ensue in a gang after the sudden death of their leader.

Mahi, a newly married woman, brings an antique Jewish box into her home. When Mahi and her husband Sam begin to have paranormal experiences, they soon learn that the box is a dybbuk containing an evil spirit. The couple then seeks the help of a rabbi to unravel its mystery. Will they survive this ordeal before their child is born?

After his wife and son are killed, a young man finds out the man behind the murder and fights against him, along committing some big mistakes.

A family man, Ratan, decides to commit a crime for Balram Singh, but keeps the bounty for himself. Singh sets his house on fire, and believing his family to be dead, Ratan goes on the run.

An estranged couple accidentally meet in a railway station's waiting room and revisit their past.

Renukadevi is widowed and the mother of a son named Ram. Her husband had indulged in all possible vices, and passed away unexpectedly. Her father-in-law, Rai, does not want Ram to repeat his father's mistakes, and teaches him all the positive values of the Hindu religion, in particular the contents of the Holy Book "Geeta". As a result, Ram refrains from all known vices, is an expert in yogic exercises, decides to live the life of a celibate, and refuses to marry anyone. When Rai passes away, Renuka asks Ram to fulfill his grandfather's last wishes, one of which was to get married. She even arranges his introduction to Aarti, an attractive young woman. But Ram is convinced that marriage is not for him.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

Best friends Raja and Ramu decide to oppose the union leader of Raja's mill when he creates problems. However, they face several obstacles in their attempt to stop him.

Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.

Roti made in the early 1940s inspired by the German Expressionism, is a real critique of Indian society with prophetic insight. It deals with two models - one of a millionaire, possessed by money and power in an industrial civilisation, the other of a tribal couple living in a primeval state of nature. The millionaire is saved by the couple after an air crash, the tribal couple emigrate to the city, do not find happiness and return. The millionaire is ruined in the city, tries futilely to find salvation among the tribal.

The story of a middle aged woman caught in her destiny and circumstances who tries to find fulfilment in relationships outside her marriage.

A 12-year-old girl must take a stand against her conservative grandmother after being excluded from a family ritual upon getting her first period.

A literary film based on a play in three acts, One Day Before the Rainy Season (Ashad Ka Ek Din) portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.

Widowed Dinanath Kumar lives a poor lifestyle in Poona with two sons, Rajeev & Sanjeev; daughter, Payal; and widowed sister, Kalawanti. He has great hopes for Rajeev who he has got educated, but is very disappointed with Sanjeev, who works as a Garage Mechanic with Tahir Khan, and is always disruptive and in trouble. Matters rise to such an extend that the Police arrest Sanjeev for setting fire to the house of Premnath and nearly killing him.

This bittersweet comedy follows North-east Indians in Delhi who are attempting to organize a wedding party, but soon find everything going wrong.

A Bollywood obsessed auto-rickshaw meets and falls in love with an actress. When the film crew packs up and leaves, he too sets off to Bombay to be close to her.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Taking advantage of the dispute between Ratanlal and his daughter, his employee, Mohanlal, takes over the business. Subsequently, he ends up ruining many lives.

Tara, burdened by family sacrifices and a longing for love, finds herself entangled in a passionate yet devastating affair with a married man. In love, every Choice has a consequence, what’s in store for Tara because of her #Choices?!

Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.